The Last Ones...Coming in 2026
Featured Release:
Japan, 1279. A sperpant
immortal call through the earth and Scotland Answers.
They are Scottish Immortals. A
Vampire, a Spirit Fox and a half vampire and earth guardian. They have walked the earth for three hundred thousand years, outlasting gods, empires, and the fragile certainties of men.
They are not legends, not quite myths, and certainly not human. They endure. And now, for the first time in all that time, something calls to them—something that should not exist.
The Last Ones begins at the edge of the known world, where the old roads of Europe give way to stranger lands, and belief itself changes shape.
Drawn east by a disturbance beneath the surface of the earth, Kori and her
companions follow a pulse that cuts through time, geography, and certainty.
What they find is not a threat in the conventional sense, but a presence—ancient, isolated, and tied to something far older than memory.
In the Takachiho Highlands of Japan, where rivers carve through stone and mountains hold their silence, the natural order is being quietly broken.
Dams rise.
Water is choked.
The land itself begins to tighten. And within it, something born of river and divinity begins to weaken.
Ayame is not a creature of folklore—she is the last remnant of a forgotten act of
creation, bound to the flow of water as breath is bound to life.
As worlds collide—immortal, mortal, and divine—the story unfolds across lantern-lit roads, mountain passes, and mist-heavy valleys.
Violence is precise.
Power is restrained.
And every action carries the weight of beings who have seen too much to act lightly. This is not a tale of conquest. It is a study of endurance, of identity, and of what remains when even gods forget their own creations.
At its core, The Last Ones is about fracture and completion. For Kori, the journey reveals something she did not know she lacked.
For Anabla, it offers something she has never had—a reason to stay. A reason to love again.
And for Ayame, it is the difference between fading into silence and becoming whole in a world that has tried to unmake her.
This is a story where myth is not distant, but immediate. Where immortality is not power, but burden. And where the greatest change does not come from battle, but from the quiet moment when one path continues—and another does not.
The Mongol invasion is killing the country and the land
answers.
The Last Highland Vampire: Anabla,
and
The Last of Japan's Nure-onna: Ayame
must defeat the Mongolican Cult
to save themselves.
Tell me more about this book
and its lore...
